Things to Do in Europe

The island of Murano in the Venetian lagoon is famous for its glass-making, but nearby Burano has its own crafty claim to fame - lace-making. The ancient tradition of hand-made lace is not nearly as common as it once was, but you can still see some women in Burano making lace the old-fashioned way, and you can get your lace education at the island’s Museo del Merletto - the Lace Museum.

The Lace Museum on Burano contains more than 200 examples of Venetian lace-making dating from the 16th to the 20th centuries. The collection is organized in chronological order over two floors, including a section on the Burano Lace School, which existed on the island for nearly 100 years. There are also special exhibits that are on display periodically, so check at the museum ticket desk to find out what extra collections are there when you visit.

In addition to the exhibits in the Museo del Merletto, you can also see traditional lace-making being done by hand by people who still maintain and practice the art form.

One of Tenerife’s leading museums, located in the capital of Santa Cruz, the Museo de la Naturaleza y El Hombre (Nature and Man Museum) is a fascinating addition to the itinerary for those interested in the unique geological and anthropological history of the Canary Islands. This is the place to learn about the formation of the islands’ rugged landscape and how they were reshaped through a series of ancient volcanic eruptions, as well as discovering their distinctive native flora and learning about modern-day conservation efforts.

The museum’s top attraction is an exhibit devoted to the life and culture of the Guanche, the aboriginal people who inhabited Tenerife before it was taken over by European conquerors. Of particular interest were the peculiar funeral rituals undertaken by the Guanche and there is a sizable collection of Guanche mummies and skulls on display, preserved by an ancient process of soaking the bodies in pine resin and salt and leaving them to dry in the sun. A wealth of additional archeological finds are also on display, including primitive ceramics, fossils, a megalodon shark tooth and items belonging to the Guanche Kings.

Spearheading the rejuvenation of the once derelict Willemdok harbor area, MAS (which translates as ‘Museum on the River’) opened in 2011 to great acclaim – as much for its stellar architecture as its thoughtful, well-curated exhibitions paying homage to the city of Antwerp, its history and culture. Sitting just north of the city center on a dock commissioned by Napoleon in 1811, the museum was designed by Dutch architects Neutelings Riedijk and towers 60 m (197 ft) above the harbor. It is comprised of layers of bright-red sandstone bricks held together with glass and steel; the five themed floors of interactive and entertaining displays make use of nearly half a million artifacts – including anything from Old Master paintings to model boats, newsreel, penny farthings, model ships and personal accounts on video – to showcase Antwerp’s development into one of Europe’s largest ports, a diamond capital and a multiracial center of learning and culture. On the ninth and top floor an outdoor terrace gives views stretching over the city to the River Scheldt, where the Antwerp story began. Unusually for a museum, MAS also has the double-Michelin-starred restaurant ‘t Zilte, presided over by chef Viki Geunes. Outside is the MAS Boulevard, with a couple of small temporary exhibition galleries and pretty views over the bobbing boats in the harbor.

Located on the vibrant street of Spaccanapoli, which cuts through the heart of Naples’ centro storico, the ethereal Cappella Sansevero had its origins in the tail end of the 16th century, when it was the mausoleum of the patrician Di Sangro dynasty. The name translates into English as the ‘alchemist’s chapel’ and it was extended by the eccentric Raimondo di Sangro, the seventh Prince of Sansevero, who lived between 1710 and 1771; he was an extraordinarily gifted man but as a Mason, he was considered by contemporary Neapolitans to have made a pact with the devil. Clad in ghostly white marble, with a multi-colored marble floor and ceiling frescoes of almost frenzied ornateness by Francesco Maria Russo, the chapel is stuffed with works by some of the greatest names on the 18th-century Naples art scene – among its treasures are Giuseppe Sanmartino’s amazingly realistic sculpture Cristo Velato (The Veiled Christ). The crypt below the chapel contains the macabre remains of Raimondo di Sangro’s experiments with anatomy – skeletons crawling with arteries and veins – and Masonic symbols cover the walls.

You may think that the Guggenheim has satiated your appetite for art, but Bilbao has another museum up its sleeve: The Museo de Bellas Artes, or the Bilbao Fine Arts Museum.

Founded in 1908, the Fine Arts Museum that you see today didn't come into being until 1945, when it merged with the Modern Art Museum, moving to its current location in the corner of Doña Casilda Iturrizar Park. Home to more than 10,000 works, the museum is the perfect compliment to the Guggenheim: The Fine Arts Museum is intimate and traditional, focused primarily on local artists, while the Guggenheim is grand, abstract and largely features international pieces.

Indeed, among the Museo de Bellas Arte's galleries, you will find a more conventional museum collection (compared to the Guggenheim), ranging from paintings to sculptures, engravings, drawings and more. The bulk of these were amassed when the two original museums merged, and then via acquisitions and donations over the years, especially from local artists. And while the majority of the collection features Spanish and Basque artwork, you'll also come across Flemish and other international pieces as well.